Posts about: TV Theme

Although bubblegum has gained a certain cachet of cool in some circles over the past few decades (while remaining a pop pariah in other circles), during its original heyday it was viewed strictly as fodder for juvenile tastes, pure pabulum for pre-teen people. Furthermore, the music was blatantly commercial at a time when such materialistic goals were deemed unacceptable by an emerging counterculture.

Bubblegum music held no delusions of grandeur, nor any intent to expand your mind or alter your perceptions. Bubblegum producers only wanted you to fork over the dough and go home to play your new acquisition over and over to your heart's content (and, no doubt, to your older brother's consternation).
Writing in Mojo magazine, writer Dawn Eden put a finer point on her description of bubblegum music. "From the get-go, bubblegum was a purely commercial genre. Producers like Buddah Records' Jerry Kasenetz and Jeff Katz had no higher aspiration than to make a quick buck and get out.

Eden went on to note, "Power pop aims for your heart and your feet. Bubblegum aims for any part of your body it can get, as long as you buy the damn record."

You could conceivably think of virtually every cute novelty hit, from pre-rock ditties like “How Much Is That Doggie In The Window” to transcendent rock-era staples like “Iko Iko,” as a legitimate precursor to bubblegum's avowedly ephemeral themes.

The Royal Guardsmen. They managed a #2 hit in 1966 with “Snoopy Vs. The Red Baron,” a novelty tune based on the funny-looking dog with the big black nose in the Peanuts comic strip. The single combined a campy kid's appeal with a punky bridge nicked without apology from “Louie, Louie.” Although “Snoopy Vs. The Red Baron” and its lower-charting sequels were certainly precursors to the recognized bubblegum sound, Bill Pitzonka insists The Royal Guardsmen were not a bona fide bubblegum group.
Let's take a listen to some of the precursors to bubble gum music so you can get a feel for where bubble gum music came from and how it evolved. Let's take it off with Patty Page.
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Artist: Patti Page
Song Name:  How Much Is That Doggie In The Window
Year:  1953
Note: written by Bob Merrill in 1952 and loosely based on the folk tune Carnival of Venice.  recorded by Patti Page on December 18, 1952, and released in January 1953 by Mercury Records
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Artist: The Crystals
Song Name:  Iko, Iko
Year:  
Note:  One could conceivably think of virtually every cute novelty hit from pre rock era like how much is that doggy in the window to the transcendent rock era staples like IKO IKO as a legitimate precursor to the bubble gums.
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Artist:  The Royal Guardsmen
Song Name:Snoopy Vs. The Red Baron
Year: 1966
Note:  Novelty tune based on the funny looking dog Snoopy with the big black nose in the peanuts comic. The single combined can't be kids appeal with a punky bridge, Nick, without apology from Louis Lilly. Although Snoopy versus the red Baron and its lower charting SQLs were certainly precursors to the recognized bubblegum sound. Bill zonca insist the Royal garden. We're not a bonafide bubblegum group at any time.
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Song Name:  Sugar Shack
Year:  1963
Note:  Gilmer and The Fireballs were the last American band to chart before Beatlemania hit.
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We heard the Dixie Cups with their version of Iko, Iko from 1965 and then the Royal Guards with Snoopy Vs. The Red Baron from 1966. We ended off this first block of tunes with Jimmy Glimmer and the Fireballs with Sugar Shack from 1963. All the music we've heard sets the stage for music to come, but it really isn't considered to be pure bubblegum.
 
And, of course, there was no shortage of acts in the mid-'60s actively cultivating some aspect of the adolescent market. Herman's Hermits had a string of cuddly hits, with “I'm Henry VIII, I Am” veering the closest to bubblegum, but they were never quite a bubblegum group. The Lovin' Spoonful had a goofy, good time vibe all about them, but they were far too... well, authentic-sounding to be called bubblegum.
 
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Song Name: I'm Henry VIII, I Am 
Year: 1965
Note: In 1965, it became the fastest-selling song in history to that point. Originall written in 1910 as a British music hall song by Fred Murray and R. P. Weston it was revived by Herman's Hermits,[1] becoming the group's second number-one on the Billboard Hot 100 chart, dethroning "(I Can't Get No) Satisfaction". Despite that success, the single was not released in the UK. 
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Song Name:Do you believe in magic
Year1965
Note:  The single peaked at number 9 on the Billboard Hot 100 chart. And later it came back into the top 40 by teen star Shaun Cassidy in 1978 with his cover version of the song.
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Bubblegum pop (also known as bubblegum music or simply bubblegum) is a genre of music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, which usually is produced in an assembly-line process, driven by producers and often using unknown singers. Bubblegum's classic period ran from 1967 to 1972. A second wave of bubblegum began two years later and ran until 1977 when disco took over.
 
The genre was predominantly a singles phenomenon rather than an album-oriented one. Acts were typically manufactured in the studio using session musicians, and most bubblegum pop groups were one-hit wonders according to writer Bill Pitzonka, a bubblegum historian and author of the liner notes for Varèse Vintage's brilliant Bubblegum Classics series, "The whole thing that really makes a record bubblegum is just an inherently contrived innocence that somehow transcends that. It transcends the contrivance. Because there were a lot of records that were really contrived and sound it. And those to me are not true bubblegum. It has to sound like they mean it."
 
Popular music really became more than just a contrivance. It was really the musical roots for a lot of groups that would come in the late 1970 and 80s and further affect music into the 2000s.  
 
We're gonna take a listen to what really are the original bubble gum hits and then play an alternative cover version by a group or artist so you can kind of get an idea of where things went who did what and why they did it. Keep in mind that it was still thing for a popular song to be covered by another recording artist even while the original song was still on the charts.
 
So let's take a listen Ohio Express' Yummy Yummy Yummy and follow that up with L7’s version from 2016.
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Artist: Ohio Express
Song Name: “Yummy Yummy Yummy,"
Year: 1968
Note: It may be the definitive bubblegum hit, but it was merely a demo that somehow made it on to a 45 before singer Joey Levine knew what was happening; he later had a successful career writing commercial jingles.It reached No. 4 on the U.S. Pop Singles chart. L7 recorded a cover for their album Fast & Frightening in 2016.
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Artist: L7
Song Name: “Yummy Yummy Yummy,"
Year: 2016
Note: L7 is an American rock band founded in Los Angeles, California, first active from 1985. Recognized for being simultaneously subversive and infused with humor. Due to their sound and image, L7 is often associated with the grunge movement of the late 1980s and early 1990s.
 
The album “Smell the Magic”, was released in 1990 on Sub Pop and earned a four star review by Rolling Stone who stated it was one of Sub Pop's finest hours.
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Artist: The Archies
Song Name: “Sugar Sugar,"
Year: 1969
Note: The Archies' "Sugar Sugar," masterminded by Don Kirshner (after the Monkees' Mike Nesmith supposedly rejected the song by threatening to punch the producer in the face). It was history's first tween pop: catchy, easy to sing, loaded down with references children would love, and presented with an innocence the rest of rock had long rejected.
Written by Jeff Barry and Canadian Andy Kim.
 
A huge hit by a band that didn't exist, this #1 hit at bubblegum's peak, possibly because singer Ron Dante was already in the Top 10 as the lead vocalist of "Tracy" by the Cuff Links.
reached No. 1 in the US on the Billboard Hot 100 chart in1969 and remained there for four weeks
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Artist: Wilson Picket
Song Name: Sugar Sugar
Year:1970
Note: Pickett's cover of "Sugar, Sugar" peaked at #25 on the Billboard Hot 100 chart.
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1969 also saw the emergence of the 1910 fruit gum company with their song Indian giver. Ironically the pace of Indian giver by the Ramones is incredibly slow compared to their usual frenetic pace and is really actually quite close to the original by the 1910 fruit gum company 
 
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Artist: The 1910 Fruitgum Company
Song Name: “Indian Giver,"
Year:1969
Note: The Company were a "real" band, despite this hit being written by Shondells hit maker Ritchie Cordell and "Montego Bay" singer Bobby Bloom. This may be why both Joan Jett and the Ramones saw fit to cover it.
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Artist: Ramones
Song Name: “Indian Giver,"
Year: 1987
Note: Ramones Mania album.
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Artist: Tommy James and the Shondells
Song Name: “I Think We're Alone Now,"
Year: 1967
Note: The Shondells were the godfathers of bubblegum, "Hanky Panky" notwithstanding, and their string of late-'60s hits began in earnest with this ode to "playing doctor."
Covered by Tiffany in late 1987
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Artist: Tiffany
Song Name: “I Think We're Alone Now,"
Year: 1987
Note: The Tiffany recording reached number 1 on the charts of various countries including the US, UK, Canada, and New Zealand. it really proves. That bubble gum is a timeless. 
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Bubble gum music wasn’t limited to just Canada and the USA. In the UK, they developed their own take on the phenomena.
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Artist: Daniel Boone
Song Name: “Beautiful Sunday,"
Year: 1972
Note: Boone was a prominent songwriter on what passed for the British bubblegum scene, but this solo song was the only one to hit big in America—and set records in Japan that have yet to be broken.
 
The only  known perfromance video of Daniel Boone is this god awful version from British TV in 1972.
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Artist: Seiji Tanaka
Song Name: “Beautiful Sunday,"
Year: 1976
Note: The song went to #4 on the Japan single chart and sold 5 million copies. This song was so popular that it's been pre recorded in Japan by more than 25 different artists since 1972.
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Gimme Gimme good Lovin done in 1969 by Crazy Elephant was not the first recording of this bubble gum classic as Spencer Davis group recorded it in 1966 and released it in 1967, thus leading many people to believe this is actually a British bubblegum hit. Actually Crazy Elephant just made the song hugely popular by being in the right place at the right time.
 
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Artist:  Crazy Elephant
Song Name: Gimme Gimme Good Lovin' 
Year:  January 1969
Note:  The single ranked #89 on the Billboard Year-End Hot 100 singles of 1969.
Crazy Elephant was a studio concoction, the Marzano-Calvert Studio Band, created by Jerry Kasenetz and Jeffry Katz of Super K Productions, and for some odd reason was promoted in Cash Box magazine as allegedly being a group of Welsh coal miners
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Artist:  Helix
Song Name:  Gimme Gimme Good Lovin' 
Year:  1984
Note:A music video was made for the Crazy Elephant cover "Gimme Gimme Good Lovin'". Two versions of this video were filmed: One for music video channels like MTV, and the other being an "adult" version featuring topless models including a then 16-year-old porn star Traci Lords. This version was aired on the Playboy Channel in the United States.
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**The uncensored Version
And last but not least press my favourite bubble gum song of all time is Edison lighthouse’s 1970 love grows where my Rosemary goes.
 
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Artist: Edison Lighthouse 
Song Name: Love Grows (Where My Rosemary Goes) 
Year:1970 
Note:Essentially, they were a studio group with prolific session singer Tony Burrows providing the vocals.
At the time it was the fastest climbing number 1 hit record in history. 
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Artist:  Wayne Newton 
Song Name:  Love Grows (Where My Rosemary Goes)
Year1970
Note:  Wayne Newton with his version of love grows where my rosary goes was a blatant attempt to hippen up the image of the Vegas perennial performers Wayne Newton. He jumped on the bubblegum bandwagon and did a series of albums which were strictly covers versions of current pop hits
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A young Wayne Newton

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Origins of "Riders in the Sky"

Photo detail

In this episode we take a look at the history of one of the most widely post WWII, "Covered" popular songs in the ASCAP publishing database.

From its humble beginnings as a European folk song to its re-appearance during the American Civil War asa melody for a drinking song, to its eventual use as she basis for a song about a cautionary tale warning a cowboy that if he doesn't change his ways, who will one day join the damned cowboys doomed to try to “catch the Devil”s herd across these endless skies.

Music Videos

While not an official video production from the estate of Marty Robbins, I really do think that this visual interpretation captures some the essence regarding "Riders in the Sky"

From a September 1990 episode of the CBS Television show "Hee Haw".  Glen Campbell & Roy Clark play "Ghost Riders in the Sky", with some help from Jeff Dayton. Glen & Roy's version of this song is on the soundtrack album for the 1985 movie "Uphill All the Way", available at finer retailers everywhere!

This is 1961... (Restored footage). Levang was hired as a temporary guitar and banjo player on The Lawrence Welk Show when Buddy Merrill left to serve in the United States Army. Welk was so pleased with his ability that he hired Levang on a permanent basis when Buddy completed his tour of duty in 1961. Levang stayed with the Welk Band until its final show in 1982.

That same year, at the Country Music Association Awards he was nominated for best artist on a specialty instrument, the mandolin.

He was also an accomplished studio musician, playing on several records for artists such as Glen Campbell, Frank Zappa, Bobby Darin, Bobbi Gentry, David Clayton Thomas, Neal Hefti ("Batman Theme"), Elvis Presley, Dean Martin, Neil Diamond and Noel Boggs. Levang died in Canyon Country, California at the age of 83.

The ill fated reboot of the Blues Brothers movie franchise in the late 1990s tried to recapture the romance and legitimacy of the original film by relying on trade and true musical icons such as "Riders in the Sky".

Filmed in Toronto, Ontario Canada, most of which was shot in the Cherry Street area of Toronto in what is now the "Distillery District". The timing was right and so were the surroundings. The area had been a staging ground and ancillary storage and processing to the nearby Docklands south of Lakeshore Drive.

I watched the movie filming evolve on a daily basis during 1996/1997 as I drove Cherry St. Daily on my way to work. Sets going up and then controlled destruction of the concert hall included in this clip.

One of the first appearances of "Riders in the Sky" came during a 1949 episode of the movie by the same name. Singing Cowboy Gene Autry sings the Western Classic song "Ghost Riders in the Sky" from his movie "Riders in the Sky" from Columbia Pictures 1949.

By the mid 1980s, Duane Eddy had entered a new career awakening after his work with the Art of Noise and their reworking of  the "Peter Gunn Theme". This time out we catch Duane flying his stylings all over our featured track. This video is from an American TV appearance in 1996.

In the USA, and more specifically, Texas is full of lore, legends, and ghost stories. The tale of the Ghost Riders is by far the saddest, most evil, not to mention, the most famous one in the country. This legend is sadly true, a senseless ghoulish tragedy which took place in Crosby County, Texas. You may know it as Stampede Mesa. The legend inspired the classic song “Ghost Riders in the Sky.”

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The TV Show . . .

The lead character was handsome, dashing, and consistently well-dressed in tailored suits, which never seemed to wrinkle even after the usual scuffles with the bad guys.

Edwards clearly modelled the character of Peter Gunn on Cary Grant, considered one of Hollywood’s most debonair leading men at the time. The actor chosen to play Gunn, Craig Stevens, even bore a close resemblance to Grant.

The series was set in Los Angeles (although the actual city was never mentioned by name in the series) and, more often than not, inside a jazz club called Mother’s.

The storyline essentially centred around Gunn solving his client’s problems (for which he charged $1000 a case), which always involved having to deal with an assortment of hitmen, hoodlums and assorted “hip” characters found on the jazz scene.

To get a feel for the show that inspired the music, here is Episode 1, Season 2 of the Peter Gunn television series.



During the 1980s the Peter Gunn show was revived for television in 1989. A long-gestating ABC 90-minute pilot, Peter Gunn aired in April 1989 with Peter Strauss in the lead role that was written, produced, and directed by Blake Edwards, but the network failed to order a series despite strong ratings and reviews. Take a look at the promo spot for the TV series, pay attention the very 1980s aesthetic.

The Art Of Noise

Although I've loved this song and video by the Art of Noise, it took about 30 years for me to recognize Rik Mayall as the star of this video. Rik and his friends such as great British comedians Adrian Edmondson, Jennifer Saunders, Dawn French, Alexei Sayle, Peter Richardson and Nigel Planer were seen on television screens in Britain and enjoyed immense success.


A rare appearance of both Duane Eddy and the Art of noise from their 1986 appearance on the British TV show "the Tube". BTW, Duane Eddy is still alive and kicking at age 82.

Blues Brothers

Originally performed for the seminal Blues Brothers movie, we catch the original members of the Blues Brothers band in a 1992 concert.


The Cramps

No collection of Peter Gunn videos would be complete without an entry featuring the Cramps lead guitarist Poison Ivy. She was the foremost female guitarist of the 1980s that left any mark on the alternative music world.


Cherry Wainer

Perhaps my all-time favourite version of the Peter Gunn theme is by the husband and wife duo of Cherry Wainer with Don Storer. This clip is from a German TV show during the mid 1960s. Cherry is so fun to watch. Clearly she loved to be on camera and to perform!



ELP (Emerson,Lake and Palmer)

While not taken from the 1977 Montreal concert where their live album was recorded, you still get a sense of their appreciation for the Classic Peter Gunn Theme. Emerson, Lake and Palmer opened their shows with the Peter Gunn theme as means of cheesing up the audience for what was to come during the rest of the concert.


Altec Lansing "Voice of the Theatre" Speakers

Altec Lansing A-700 and A5 VOTT (Voice of the Theatre) Speakers

The speakers used to create the fabulous echo and reverse on the original Peter Gunn recordings were the classic -industry standard - Altec Lansing A-700 and A5 VOTT (Voice of the Theatre) Speakers. Read on for a look into the company, their speakers and the importance and impact they had on the music and film industries.

Altec Lansing, Inc. is a U.S. audio electronics company founded in 1927. Their primary products are loudspeakers and associated audio electronics for professional, home, automotive and multimedia applications. 

Engineers at Western Electric, who later formed Altec Services Company, developed the technology for motion picture sound that was introduced in 1927, with the release of The Jazz Singer. Originally, Altec Services Company serviced the theatre sound systems the company founders had helped develop. In 1941 the Altec Services Company purchased the nearly bankrupt Lansing Manufacturing Company and melded the two names, forming the Altec Lansing Corporation, and with the manufacturing capabilities of the former Lansing Manufacturing Company, they quickly expanded into manufacturing horn loudspeakers.

For a really good look at the design and impact of the Voice of the Theatre Speaker History check out this link. Although the article can get a little technical, the author does a good job of presenting the reasons why the technology became a standard in the audio world.

The "Peter Gunn" Guitar

The Bob Bain story is an extremely long and varied one, detailed in this great article over at "Vintage Guitar" magazine. The Bob Bain Story.

Take the time to glance at the custom The Peter Gunn Guitar over at the Fender guitars page to see a photo of the original and some technical info about the limited edition reproduction guitar.

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The Buster Mungus Diaries. Theme by STS.